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Monday, 28 August 2017

Deconstructing Fashion episode 5 clothing in Africa, the Carribbean, and South East Asia...



Have you listened yet to episode 5 of Deconstructing Fashion? This edition of the monthly podcast I co-host is my favourite yet. Click here to listen to it.

You'll hear from the director of the Costume Institute of the African Diaspora speak about her work tracing dress histories around the world. My co-hosts and I chat about the Costume Society conference, and Sian interviews me about my work researching Chinese dress in south-east Asia. And we discuss the state of fashion research, agreeing that what we all find the most intriguing is stories about people rather than catalogues of expensive garments.

If you enjoy this episode, please recommend us to your friends! 

Friday, 11 August 2017

Melting pot

We rehearse on Sundays, first in an abandoned office block turned into a home on the Grand Union Canal, then in a bedroom turned music studio in a flat above a fried chicken shop. Appearances deceive us, and a ballerina from Paris by way of Guadeloupe thinks that a blonde caucasian flautist is English because of her cut-glass intonation gained at a British school in Holland. We also have a rapping Londoner who arrived by way of Algeria, and a composer who cut his teeth on a true mash up of heavy metal, electronic dance music, Bach, organs, Afrobeats and Spanish classical guitar, who is here thanks to imperial interventions in Nigeria and Guyana, that last one being Guyanese by way of India, Africa and Portugal.

We'll look back on this period in thirty or so years time and feel incredibly bohemian, but I hope that my future self is still growing and learning and humble.

Wednesday, 9 August 2017

Automatic writing

The best kind of writing I feel is automatic writing. This is something which I am trying to do now, an outpouring of thoughts which form directly in my mind and reach the blank page or white screen immediately. My fingers holding pen or pressing the computer keyboard becomes an extension of my brain's inner narrative. The best work, I find, comes from this kind of automatic writing - that elusive, slippery zone which produces concepts and thoughts that are somehow pure, and somehow perfect in their difficult natural flow. My fingers press away like the veritable wind, backtracking every so often to correct errors in the order of characters, for I've forgotten my touch typing lessons of so many years ago.

I feel that there are two types of automatic writing, which to my mind is characterised by a need strong and irrepressible to form words in the world, to form concrete and even tangible words, you could say, out there on the other side of your cranium. A desperation, a longing, a possibility which is not questionable but simply realised. Firstly there is the pursuit of an idea, an obsession, a concept that sparks something within and therefore with out. And secondly there is the autobiographical narrative, the confessional, the diary. Both are wonderful, but one in particular lifts. I speak the words inside and outside, on my tongue and off my finger tips. Whisper. Lips.